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Sacred architecture : ウィキペディア英語版
Sacred architecture

Sacred architecture (also known as religious architecture) is a religious architectural practice concerned with the design and construction of places of worship and/or sacred or intentional space, such as churches, mosques, stupas, synagogues, and temples. Many cultures devoted considerable resources to their sacred architecture and places of worship. Religious and sacred spaces are amongst the most impressive and permanent monolithic buildings created by humanity. Conversely, sacred architecture as a locale for meta-intimacy may also be non-monolithic, ephemeral and intensely private, personal and non-public.
Sacred, religious and holy structures often evolved over centuries and were the largest buildings in the world, prior to the modern skyscraper. While the various styles employed in sacred architecture sometimes reflected trends in other structures, these styles also remained unique from the contemporary architecture used in other structures. With the rise of Abrahamic monotheisms (particularly Christianity and Islam), religious buildings increasingly became centres of worship, prayer and meditation.
The Western scholarly discipline of the history of architecture itself closely follows the history of religious architecture from ancient times until the Baroque period, at least. Sacred geometry, iconography and the use of sophisticated semiotics such as signs, symbols and religious motifs are endemic to sacred architecture.
== Spiritual aspects of religious architecture ==

Sacred and/or religious architecture is sometimes called sacred space.
Architect Norman L. Koonce has suggested that the goal of sacred architecture is to make "transparent the boundary between matter and mind, flesh and the spirit." In discussing sacred architecture, Protestant minister Robert Schuller suggested that "to be psychologically healthy, human beings need to experience their natural setting—the setting we were designed for, which is the garden." Meanwhile, Richard Kieckhefer suggests that entering into a religious building is a metaphor for entering into spiritual relationship. Kieckhefer suggests that sacred space can be analyzed by three factors affecting spiritual process: longitudinal space emphasizes the procession and return of sacramental acts, auditorium space is suggestive of proclamation and response, and new forms of communal space designed for gathering and return depend to a great degree on minimized scale to enhance intimacy and participation in worship.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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